Exclusive: Chloë Deakin tells how she wrote to Dulwich college master to argue against Farage’s nomination as prefect

It was 1981 and Nigel Farage was turning 17. He was already a figure of some controversy, as would become a lifelong habit, among the younger pupils and staff at Dulwich college in south-east London.

“I remember it was either in a particular English lesson or a particular form period that his name came up,” said Chloë Deakin, then a young English teacher, of a discussion with a class of 11- and 12-year-olds. “There was something about bullying, and he was being referred to, quite specifically, as a bully. And I thought: ‘Who is this boy?’”

Bardot titillated the world for five decades, but the controversy and voyeurism surrounding her shouldn’t overshadow an intriguing film career

• Brigitte Bardot dies aged 91

• A life in pictures

Bardot … there was a time when it couldn’t be pronounced without a knowing pout on the second syllable. French headline-writers loved calling the world’s most desirable film star by her initials: “BB”, that is: bébé, a bit of weirdly infantilised tabloid pillow-talk. When Brigitte Bardot retired from the movies in the mid-70s, taking up the cause of animal rights and a ban on the import of baby seals, the French press took to calling her BB-phoque, a homophone of the French for “baby seal” with a nasty hint of an Anglo pun. But France’s love affair with Bardot was to curdle, despite her fierce patriotism and admiration for Charles de Gaulle (the feeling was reciprocated). As her animal rights campaigning morphed in the 21st century into an attack on halal meat, and then into shrill attacks on the alleged “Islamicisation” of France, her relations with the modern world curdled even more.

In the 1950s, before the sexual revolution, before the New Wave, before feminism, there was Bardot: she was sex, she was youth, and, more to the point, Bardot was modernity. She was the unacknowledged zeitgeist force that stirred cinema’s young lions such as François Truffaut against the old order. Bardot was the country’s most sensational cultural export; she was in effect the French Beatles, a liberated, deliciously shameless screen siren who made male American moviegoers gulp and goggle with desire in that puritan land where sex on screen was still not commonplace, and in which sexiness had to be presented in a demure solvent of comedy. Bardot may not have had the comedy skills of a Marilyn Monroe, but she had ingenuous charm and real charisma, a gentleness and sweetness, largely overlooked in the avalanche of prurience and sexist condescension.

Our grim fascination with the doomed ship shows no sign of abating – so here’s a four-parter which makes it feel like you’re onboard. A truly intense watch

April 2026 will mark 114 years since the night that the RMS Titanic collided with an iceberg, but our grim fascination with the disaster shows no sign of abating. There was, of course, a surge of interest in the Titanic in the late 90s – thanks to James Cameron’s Oscar-bothering blockbuster – and there has been a steady stream of documentaries, dramas and podcasts about its demise ever since, some more sensitive than others (among the less tactful offerings: the 2010 film Titanic II – directed by Dick Van Dyke’s grandson Shane – a cash-in about a replica ship ravaged by a tsunami). Occasionally, the subject matter lurches starkly from the past back into the present. In June 2023, five people died on board an experimental submersible made by the company OceanGate; its passengers had hoped to see the liner’s rusting wreckage up close.

Titanic Sinks Tonight is a part-documentary, part-drama series playing across four nights, its episodes constructed from letters and diaries written by those on board, as well as interviews the survivors would give in the decades after. On the strength of the two episodes released for review, there’s no denying that it sates our appetite for Titanic-themed content. However, in centring the words and memories of those who lived through the terror of that night, it restores much-needed agency to those people. It also does well to bring a sense of reality to events that can sometimes feel unreal on account of their ubiquity, and that uncanny valley of Titanic-themed media. Central to its success is the presence of experts such as historian Suzannah Lipscomb and former Royal Navy admiral Lord West, to sharpen the corners of the story that Hollywood has sanded down.

Nick Kyrgios won 6-3, 6-3 against Aryna Sabalenka in an intriguing Dubai contest with celebrity interruptions

Nick Kyrgios won tennis’s latest Battle of the Sexes against Aryna Sabalenka in a dispiriting contest in Dubai that veered uneasily between exhibition, gimmick and outright circus.

The Australian, who has won only one competitive singles match since the end of 2022 and has slipped to 671 in the world rankings, was sweating heavily and breathing hard as early as the fifth game of the match. Yet to no one’s great surprise, the extreme power of his serve, combined with the spin and velocity of his groundstrokes, proved too much for the women’s No 1 player.

The new film adaptation by Saltburn director Emerald Fennell looks set to be provocative – but nowhere near as shocking as Emily Brontë’s original

The most astonishing thing about the first trailer for Emerald Fennell’s Wuthering Heights is not the extreme closeup of dough being kneaded into submission. It’s not that in the lead roles Margot Robbie is blonde and 35, and Jacob Elordi is white, when Emily Brontë described Cathy as a teen brunette and Heathcliff as “a dark-skinned gypsy”. It’s not the gaudy splendour of the interiors – silver walls, plaster Greek gods spewing strings of pearls, blood-red floors and a flesh-pink wall for clutching and licking. It’s not Robbie’s gobstopper diamonds or her scarlet sunglasses or her stuffing grass into her mouth or the loud snip of her corset laces being slashed with a knife or her elaborately – erotically – bound hair as she contemplates multiple silver cake stands stacked with vertiginous fruit puddings. It’s not any of her dresses – the red latex number or the perfectly 1980s off-the-shoulder wedding dress topped by yards of veil half-wuthered off her head. Nor is it any of the times Elordi takes his top off.

The most astonishing thing is that the trailer says Wuthering Heights is “the greatest love story of all time”. Which is almost exactly how the 1939 Laurence Olivier and Merle Oberon film was trailed – as “the greatest love story of our time … or any time!” Have we learned nothing? I am not talking about the fact that (like Oberon’s!) Robbie’s wedding dress is white, which is not period-correct. This has exercised many people on the internet. I’m more worried about the fact that almost a century since Olivier’s film, we are still calling it a love story – a great one! The greatest! It’s being released the day before Valentine’s Day! – when what actually happens is that Cathy rejects Heathcliff because she’s a snob, and he turns into a psychopath.

Zinging hospitality and heart-thumpingly good food

For reasons that may already be apparent, and that are currently playing on BBC One, I have spent much of 2025 watching people cook scallops and souffles in a windowless television location unit in Digbeth, Birmingham. MasterChef, despite being one of the most exhilarating jobs a girl can do, sucked up most of my waking hours this year, and made my free time extra-precious. So the very best restaurants I found this year – those with zinging hospitality and heart-thumpingly good food – became equally extra-crucial.

I’m talking about the likes of Tropea in Harborne, just down the road from the TV studio, and where I’ve spent a fair few Saturdays eating butternut squash arancini, fresh tagliolini and whopping great deep-fried salted cannoli. Over in Bristol, meanwhile, two absolute gems revealed themselves on the very same trip: Ragù and Lapin, both in Wapping Wharf and both in repurposed shipping containers, but entirely different creatures. Lapin I described as a “peculiar, meta, slightly earnest and definitely delicious” slice of France that serves asparagus with sauce gribiche, gnocchi Parisienne and, well, lapin itself whenever local hunters manage to bag some bunnies. Lapin will add caviar to any dish, if you ask for it, they play 80s French pop and serve a mint-green, menthe-over-club-soda diabolo for those French exchange school trip vibes. Ragù, meanwhile, may quite simply be one of the greatest dinners I’ve eaten this decade: crespelle in rich tomato brodo, artichoke fritti and chocolate budino with sour cherries and amaretti – flawless cooking in completely understated surroundings.

Trump says he and Zelenskyy have ‘made a lot of progress’ but that ‘one or two thorny issues’ remain

The Ukrainian military said on Sunday that it hit the Syzran oil refinery in Russia’s Samara region in an overnight drone attack.

The strike caused a fire and damages were still being assessed, Kyiv’s General Staff said.

Forecasting tool predicts when demand will be highest, allowing NHS trusts to better plan staffing and bed space

Hospitals in England are using articificial intelligence to help cut waiting times in emergency departments this winter.

The A&E forecasting tool predicts when demand will be highest, allowing trusts to better plan staffing and bed space. The prediction algorithm is trained on historical data including weather trends, school holidays, and rates of flu and Covidto determine how many people are likely to visit A&E.

Dissident was freed by Egypt after campaign by successive UK governments but offensive posts have surfaced

The decision by successive UK governments to campaign for the release and return of British-Egyptian democracy activist Alaa Abd el-Fattah has been called into question after past violent and offensive social media posts came to light.

The dissident’s historical remarks – in which he appeared to call for violence towards “Zionists” and the police – have prompted a widespread backlash since his return from detention in Egypt on Friday.

House armed services committee’s Mike Turner denied that military strikes showed new Trump approach to US forces

• US warns of more Nigeria strikes as Abuja talks of ‘joint ongoing operations’

A senior Republican on the US House armed services committee has said that the country’s recent military strikes in Nigeria and Syria are consistent with American foreign policy to combat Islamic extremism that have existed across Donald Trump’s two presidential terms.

Mike Turner, an Ohio congressman, said on Sunday that the strikes are a “continuation of our conflict with [the Islamic State]”.